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A FILM FOR THE FAMILY

I just watched the movie Final Destination with my mom, and believe me worth all the money of the ticket.
I say bring mom tricked to see a horror movie in 3D.

The movie is bad.

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How to Spot a Liar

time ago, I arranged a meeting between a major producer and a possible donor, and as the producer explained his project, I noticed an unusual gesture: the look in his eyes, he agreed as he spoke, and opened his hands, holding reached without crossing your fingers, showing his palms.

What intrigued me, particularly because it seemed very unnatural to keep the tips together and never cross your fingers, and after the meeting I did a search to see if the manufacturer wants to send the lender a kind of subliminal message through their gestures.

There I discovered that if a little 'practice is relatively easy to lie in words is very difficult to lie with the body, because there are natural movements that betray our thoughts.

Everyone has heard that keeping their arms folded during a job interview is a sign of closure, or look in a certain direction means that the person is lying or making up the answer.

To be more specific, when someone tells you it's very much agree with you, but you touch his neck, it means that we do not really convince, or when one scratches his nose because he is lying.

What I discovered was surprising: every move that the producer did was designed to provide support on a subliminal level to do business with him. Always look in your eyes is a sign of self-confidence and honesty, while agreeing about the other does identify itself, prompting him to say yes. Cross your arms or fingers is a sign of closure and lack of confidence, while showing the palms gesture communicates openness and interest in doing something together.

so far did not believe it, but at Cannes, I have several business meetings with producers that I will present their projects illustrate the budget and who have agreements with the actors and distributors, and all are scratching your nose ...

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WE ARE SO 'LUCKY ... AS AN INDEPENDENT FILM FINANCE

Cannes, evening - I'm with a friend and two girls just met. Walk with one another and with the corner of my eye I see someone running back towards us.

We thought it should snatch her purse, which takes between us, and stretch out an arm to hurt him with his elbow. Instead

beggar with a little 'too much enthusiasm: I say no, and he insists the situation is bad. He pestered the girl, I put myself in the middle and without my noticing she walks away and I get ready to Rumble.

Then the tones are muted, I insulted him in his language, as I understand the answer, and this displaces it.

This seems over there. Shortly after we all sat at a table outside a pub. He checked again, even more obnoxious. He speaks French, me in English. He comments on the girls and heavy personal questions about us, and what we ask him to leave threatening to stay there if you do not pay.

I know enough to give him something for putting him back, but now it is personal, it's a bully.
His threat makes me jump up and realizes that he exaggerated.
In a friendly way, but decided to put my arm around to push it and we move away:
- Leave me alone! - He does.
- I'm not doing anything - I say.
- Do not touch me!
- I'm not touching - and I say keep pushing.
- Of course you touch me, you're pushing!
- Indeed, indeed.
- Then do not touch me!
- I'm not touching ...

I explain to him that bothers us, it can not do so, and he asks me where I learned his language. It makes me questions about myself, and I understand his insistence that all is in fact a desperate search for a human relationship.
Meanwhile we get to a McDonald's and ask him if he is hungry.
So we go together. He speaks Italian, said he went to Italy to get some money, but gave him 15 euro for a day of Working from dawn till night, and could not survive. This makes me feel guilty, because he went to my house to seek his fortune, instead he found only people who wanted to take advantage of his desperation.

I ask him what he wants, and he shows the big picture of the sandwich on special offer.
He tries to convince me that is a good person:
- I am a thief. I stole it and I was in prison, and then they threw me out of Italy. But I mean, is not how to kill ...
- Chips?
- No.
- Really? An ice cream?
- No, thanks. See? I'm not one that takes advantage of only the bare minimum.
- To drink?
- A Coca-Cola. The cashier's
asks whether large or small, and he takes the baby.

She puts things on the tray and I'll pay. He picks up the sandwich in one hand and Coca in the other.
Then we go out and he, noting the cap on the glass, exclaimed:
- And as I drink this?!? The
take a straw.

Then I tell him that now I must go, he thanks me, I hope that God bless me, we do both cards, we shake hands, and as I leave I have a sick feeling, because I think that was the first time went into a McDonald's.

We are so fortunate to be able to afford to make the squeamish, we see McDonald's as a daily reality so we do not realize which for many is something unattainable.
The sea is full of yachts.
A brave man who knows at least four languages \u200b\u200band is bent from the waist because he has not had a chance, while others may not smarter than he can afford to pay 18 euro for a Coke.

How life bastard ...

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Cannes - In the British pavilion there was just a seminar on how donors can engage professional independent producers to finance their projects.

Moral of the story: first of all, you need a full script and convince them, but at this point you refuse because you did not a director of activities.

Once you have the director will refuse because your budget may not be accurate if the first does not have an agreement with the actors and the timing of the shot.

When you've done all that you refuse to join because they are interested only in projects that need the last 20% of the budget.

And when you can also find 80% you need to talk to them you refuse funding because it's your first film.

But if I were them refuse to finance even a experienced manufacturer, because if it is able to overcome all 'casino and I'm still serves 20% of the budget is telling a pack of lies.

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... AND JUSTICE FOR ALL

Cannes - Perhaps many of you know how hard it is to submit an idea for a project to which you have worked for months to a few large producers that crushes in seconds.

While the Italian pavilion is organizing yet another food and wine event for Italian cinema (?), The British have one with lenders who explain how they choose the projects in which to intervene, the requirements that must be and how to present.

In the second part of the seminar a few large producers present their project on stage, and will be demolished in an embarrassing manner.
Among these was the CEO of a major movie studios and television in Italy, which makes the figure of the stage and descends from the head down.

me a bit ashamed 'to tell, but as we enjoy ...